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The acids in cider

What acids are in cider and what does each taste like?

In short

Malic acid is the dominant acid in apple juice and in most cider, and it tastes sharp, clean and persistent — the acidity of a green apple. Lactic acid, produced when bacteria convert malic acid, is softer and rounder and reads as creamy rather than sharp.

Acetic acid is vinegar, and above a low threshold it is a fault. Citric acid is present in pears and essentially absent from apples, which is one reason a total-acid figure means something different for perry.

Several minor acids — succinic, quinic, and the phenolic acids — contribute at low levels, and a handful of them taste bitter or salty rather than sour.

pH and titratable acidity are not the same axisTwo juices at the same pH carrying different titratable acidity, drawn on two separate scales.pH — what governs spoilage4.24.03.83.63.43.2higher risklower riskSame pH, different aciditypotassium buffers the juice246810Juice AJuice BTitratable acidity — what you tasteg/L as malic acid
Two juices at the same pH carrying different titratable acidity, drawn on two separate scales.
Described in full
Two axes, not one
The upper scale is pH, running from 4.2 on the left down to 3.2 on the right. The lower scale is titratable acidity in grams per litre as malic acid, running from two to ten. They measure different things and are drawn separately for that reason.
What pH measures
The concentration of free hydrogen ions — the strength of the acid actually dissociated at that moment. It governs microbial risk, the effectiveness of sulphite, and how stable the cider is. It is a logarithmic scale, so a change of 0.3 is a doubling.
What titratable acidity measures
The total amount of acid present, found by neutralising it with alkali. It tracks perceived sourness far more closely than pH does, and it is what a taster responds to.
The V on the figure
Two juices are marked at the same pH on the upper scale. Lines run down to two clearly different positions on the acidity scale below. Same pH, different acidity, and they would not taste alike.
Why they come apart
Potassium and other cations in the juice buffer it. A juice rich in potassium holds its pH up while carrying a lot of acid, so a high-acid fruit can arrive at a pH that offers less protection than its sourness suggests.
The practical consequence
A cidermaker needs both numbers. Blending to taste uses titratable acidity; deciding on a sulphite addition, or whether a juice is safe to ferment slowly, uses pH. Neither substitutes for the other.
Typical territory
Bittersweet juice sits at the low-acidity, high-pH end and is the most vulnerable to spoilage. Sharp fruit is added to blends as much to bring pH down as to make the drink taste fresher.

The acids and what they do

The acids of cider and perry, their origin and their sensory character.
AcidWhere it comes fromTasteSignificance
MalicThe fruit; the dominant acid of apple juice by a wide marginSharp, clean, green-apple; a long, cutting sournessSets acidity and pH; the substrate for malolactic fermentation
LacticBacterial conversion of malic acid during malolactic fermentationSoft, rounded, mildly sour; often read as creamyLowers total acidity and raises pH; brings diacetyl with it
AceticAcetic acid bacteria oxidising ethanol, given oxygenVinegar; sharp and volatile, with a pungent aromaThe principal component of volatile acidity; a fault above a low threshold
CitricThe fruit — present in pears, and in apples only in tracesBright, immediate, less persistent than malicPart of why perry acidity reads differently; also convertible by some lactic bacteria
SuccinicYeast metabolism during fermentationSour with a distinctly salty and bitter edgeA small but perceptible contribution to the finish of most ciders
Quinic and chlorogenicThe fruit, as part of the phenolic fractionLittle sourness; chlorogenic acid is a browning substrate rather than a tasteContribute to titratable acidity without contributing much perceived sourness

Malolactic conversion, and what it changes

Malic acid carries two carboxylic acid groups; lactic acid carries one. When lactic acid bacteria decarboxylate malate to lactate, one acid group is lost as carbon dioxide, so a given quantity of malic acid becomes a smaller quantity of acid overall. Titratable acidity falls, and pH rises.

The sensory change is larger than the numbers suggest, because lactic acid is perceived as softer as well as being present in smaller effective quantity. A cider that was sharp and angular before conversion is rounder and broader afterwards, and diacetyl produced by the same bacteria adds a buttery note that reinforces the impression.

Whether this is wanted depends entirely on the style. It is standard and deliberate in a great deal of traditional English, French and Spanish practice, where the aim is a rounded cider with a settled acidity. It is suppressed in fresh, fruit-driven ciders, where the sharpness is the point and the buttery note would be out of place. The suppression is achieved by sulphiting, by cold, by filtration, or by a combination.

Volatile acidity, and the line between character and fault

Volatile acidity means the acids that can be distilled off, which in practice means acetic acid together with the ethyl acetate that usually accompanies it. It is produced by acetic acid bacteria oxidising ethanol, and the reaction requires oxygen; a properly filled, sealed vessel does not develop it.

A trace of acetic acid is present in essentially every cider and contributes to complexity. Above a low threshold it becomes recognisable as vinegar, and ethyl acetate, which smells of nail varnish and solvent, is generally detected before the acetic acid itself. The threshold at which this crosses into fault depends on style: Asturian and Basque sidra natural carry higher volatile acidity than most other traditions and are judged against that expectation.

The distinction that matters technically is whether the process is still running. A cider with elevated volatile acidity and no live acetic bacteria is stable; one with an active population will continue to acetify, and blending it into sound cider spreads the problem rather than diluting it away.

Why perry acidity is a different question

Pear juice carries both malic and citric acid, in proportions that differ by variety. A single total-acid figure therefore sums two acids that taste differently and behave differently: citric is brighter and shorter, malic longer and sharper. The same figure can describe two quite different palates.

Citric acid is also metabolised by some lactic acid bacteria, and the products include diacetyl and, under some conditions, acetic acid. A perry undergoing malolactic conversion can therefore develop volatile acidity from a route that does not exist in cider.

On top of that, perry pears are frequently low in acid overall, which leaves the juice at a pH where spoilage organisms are comfortable. Low acidity in perry is therefore a microbiological problem as much as a sensory one, and it is part of why perry is reckoned harder to make than cider.

Sourness and acidity are not the same measurementPerceived sourness tracks titratable acidity more closely than it tracks pH, but neither predicts it exactly, because different acids taste differently sour at the same concentration and because sugar, tannin and carbonation all modify the perception.

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